A plywood altar, painted with Daniel Smith's gold liquid acrylic, focuses on a Da Vinci drawing printed on a postcard purchased at the Codex show at SAM (Seattle Art Museum). The altar is complete with ginkgo leaves, ceramic shards from Italy, bottle caps, keys, stones, shells, feathers, and more. It is hinged so it stands, rather than hangs.
Wednesday, April 2, 2008
Messenger of God
A plywood altar, painted with Daniel Smith's gold liquid acrylic, focuses on a Da Vinci drawing printed on a postcard purchased at the Codex show at SAM (Seattle Art Museum). The altar is complete with ginkgo leaves, ceramic shards from Italy, bottle caps, keys, stones, shells, feathers, and more. It is hinged so it stands, rather than hangs.
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